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Lot No :

FRANZ ANTON SCHRAEMBL AFTER MAJOR JAMES RENNELL, (1751 - 1803)

NEUESTE KARTE VON HINDO?TAN, BENGALIEN ETC. (LATEST MAP OF HINDOSTAN, BENGAL, ETC.), 1788


Estimate: Rs 10,000-Rs 15,000 ( $115-$170 )


Neueste Karte von Hindo?tan, Bengalien etc. (Latest Map of Hindostan, Bengal, etc.)

1788

Copper engraving on paper

23.5 x 14.5 in (59.5 x 37 cm)


An Allegorical Cartouche from Rennell’s Hindostan and Bengal - Imperial Iconography of British India (Vienna, 1788)

This finely engraved late-eighteenth-century allegorical cartouche, extracted from a German-language map of Hindostan and Bengal after Major James Rennell, represents a refined example of Enlightenment-era imperial iconography. Issued in Vienna under the direction of Franz Anton Schraembl in 1788, the cartouche formed the ornamental and ideological focal point of a larger Rennell-derived map documenting British territorial presence in India.

"The cartouche depicts, according to Rennell: "Brittannia receiving into her Protection, the sacred Books of the Hindoos, presented by the Pundits, or Learned Brahmins: in Allusion to the humane Interposition of the British Legislature in Favor of the Natives of Bengal, in the Year 1781. Britannia is supported by a Pedestal, on which are engraven the Victories, by means of which the British Nation obtained, and has hitherto upheld, its Influence in India: amongst which, the two recent ones of Porto Novo and Sholingur, gained by General [Eyre] Coote, are particularly pointed out by a Sepoy to his Comrade." (Source: Wikipedia)

The composition centres on a neoclassical roundel depicting a staged ceremonial encounter between European and Indian figures, visually encoding themes of colonial diplomacy, administrative transfer, commerce, and imperial authority. Surrounding motifs — including classical architectural elements, laurel garlands, palm trees, maritime vessels, and symbolic attendants — situate the scene within a broader narrative of global exploration, trade networks, and British expansion in South Asia. Executed in crisp copper-engraved linework, the vignette exemplifies the period’s fusion of cartographic science with allegorical visual rhetoric.

While the original sheet extended to a detailed geographic representation of British East India Company territories, the present fragment survives as a self-contained visual document, preserving the map’s symbolic, political, and artistic programme. As an object, it offers a concentrated lens onto the aesthetic language and ideological framing of late-eighteenth-century imperial cartography.

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