Untitled [Set of 4 books by Havell]
a) E B Havell, Ideals of Indian Art, London: John Murray, 1911
208 including 32 black and white photographic plates; leather bound
10 x 6.8 x 1.5 in (25.5 x 17.5 x 4 cm)
Havell delves into the philosophical and spiritual foundations of Indian art in this groundbreaking work. He explores the manner in which Indian artists transcend mere representation to embody deeper metaphysical concepts, underscoring the pivotal role of art in reflecting India's cultural and religious ethos. This book functions as a comprehensive discourse on the intrinsic values that have influenced Indian artistic traditions.
b) E B Havell, Indian Architecture, London: John Murray, 1915
260 pages; original blue clothbound with gilt text on the spine and decorated cover
10 x 7.6 in (25.4 x 19.3 cm)
Havell provides a perceptive examination of the psychological and structural aspects of India's architectural evolution, spanning from the commencement of the Muhammadan invasion to the present day. He challenges Western architectural paradigms by emphasizing the distinctive principles and aesthetics that are intrinsic to Indian architecture, thereby advocating for the recognition of its unique identity and contributions to the global architectural heritage.
c) E B Havell, The Ancient and Medieval Architecture of India: A Study of Indo-Aryan Civilisation , London: John Murray, 1915
xxxv + 230 pages including frontispiece (original tissue guard present), 83 black and white plates, 63 black and white illustrations in the text and full-page map; original red buckram, upper board elaborately framed, blocked and lettered in gilt, gilt text at the spine
NTK SIZE
During the ancient and medieval periods in India, this exhaustive study investigates the architectural developments and establishes a connection to the broader Indo-Aryan civilization. Havell offers readers a comprehensive comprehension of India's extensive architectural heritage by exploring a variety of architectural styles, temple constructions, and the sociocultural factors that influence these structures.
d) E B Havell, The Himalayas in Indian Art, London: John Murray, 1924
116 pages including 50 black and white photographic plates; original cloth boards
9 x 6.1 in (23 x 15.5 cm)
Havell investigates the profound impact of the Himalayan landscape on Indian art in this work. He demonstrates how the majestic mountains have served as abodes of deities in Indian mythology and have inspired a variety of art forms, symbolizing spiritual transcendence. The book emphasizes the symbiotic relationship between artistic expression and geography in Indian culture.
Ernest Binfield Havell (1861–1934) was a distinguished British art historian and educator who was widely recognized for his substantial contributions to the understanding and appreciation of Indian art and architecture. From 1896 to 1905, he served as the principal of the Government School of Art in Calcutta, which was a significant turning point in the acceptance of indigenous art forms and the establishment of the Bengal School of Art.
Havell's publications have been instrumental in the transformation of the Western perspective on Indian art and architecture, advocating for an appreciation that is grounded in indigenous contexts and values.
(Set of 4)
NON-EXPORTABLE
This lot will be shipped in "as is" condition. For further details, please refer to the images of individual lots as reference for the condition of each book.