???I have tried to reflect the technological changes that are happening around us through the Teddy bear. I thought it would be appropriate to suggest the infancy of the digital revolution that is changing our lives, and provide a hint of the unimaginable future it will bring forth, through the teddy bear wearing a superman cape emblazoned with computer code, and ???Google glass???.???
Baiju Parthan Initially, Baiju Parthan resisted a career as an artist. "In Kerala," he explains, "you are what your work is. And in Kerala's Communist schema, the artist is at the lowest rung of society." Parthan began as an engineer, but was drawn into the world of art in 1974, when he stumbled onto a book detailing the history of Western art. "With that book," he says, "the chronology and the institution of art became known to me." He became familiar with the movements of Impressionism, Expressionism, and so forth, and this new knowledge nourished his interest in painting.
"Painting gave me self worth," says Parthan. "In that pictorial space, I was king. I began to define myself through this act of painting: It was the only place where I could 'be'." Excited by the prospect of studying art, Parthan went to Goa and enrolled in a five-year course in the fine arts. Parthan's course, running from 1978-1983, overlapped with the final influx of Westerners coming to Goa in search of enlightenment.
"There were Germans, Brits, Italians - all sorts of people, mostly from Europe. I came across these hippies, and became exposed to a whole range of alternate world views," says Parthan, adding "I had always thought that reality is one unified thing."
Through one of his Western acquaintances, Parthan came across Sartre's "Age of Reason," a book that he describes as a major influence. Also affecting his work at the time was Goa's "soft drug culture". This, too, helped Parthan explore new ways of experiencing the world.
Parthan began to study the Indian mystical arts, exploring tantra, ritual arts, and Indian mythology. Simultaneously, Western art continued to exert an influence. Parthan names Larry Rivers, Miro, and the Cubist painters as important models.
In the early 1980s, Parthan decided to quit painting. "I felt like a missionary for Western art," he explains. Instead, he enrolled in a course on comparative mythology at Bombay University, and began working as a writer and illustrator. He returned to painting in the early 1990s, when he began to explore the imagery of mandalas and Tibetan tangas. These traditional subjects were balanced by his reading in post-modern theorists. The latter enabled him to "recontextualize things from my immediate environment. The post-modern theorists have accepted the localization of reality. We're now reconciled to the idea of an individual reality. Art is about local realities. Personally, I live in a post-colonial concept of space. The world exists as a flux."
In 1995, Parthan began to study computers, learning hardware engineering, building his own machine, and creating programs. "I didn't want to be afraid of technology," says Parthan. "The machine has become the Other for humans, and it raises philosophical issues that we have to grapple with." Parthan is especially interested in the influence of technology on religious beliefs, the implications of genetic engineering, and the possibilities of post-humanism (i.e. the development of symbiotic relations between men and machines).
Based on: Catalogue by Ranjit Hoskote Interview by Sylee Gore About WISH - A – TEDDY
We’re delighted to present “WISH-A-TEDDY”: a collection of hand-painted teddy bears by renowned Indian artists and designers in collaboration with Make-A-Wish Foundation®.
These beautifully hand-painted teddies have been created by Paresh Maity, Baiju Parthan, GR Iranna, Jayasri Burman, Nilofer Suleman, Vibha Galhotra, George Martin, Manil & Rohit Gupta, Seema Kohli, Valay Shende and many others, and designers like Abu Jani Sandeep Khosla, Sabyasachi, Anamika Khanna and Maheka Mirpuri, these teddies surely make for collectors’ items.
Make-A-Wish Foundation® of India is a non-profit organization dedicated to granting the most cherished wish of children aged 3 -18, living with life-threatening illnesses, irrespective of their socio-economic status, caste, race or religion. It has branches in Ahmedabad, Bangalore, Coimbatore, Chennai, Delhi, Goa, Hyderabad, Jaipur, Kolkata, Mumbai and Pune, and is headquartered in Mumbai. The Foundation conducted its first ever fundraiser in India, "WISH - A - TEDDY", earlier this April at the Palladium Hotel, Mumbai. This event was planned to celebrate World Wish Day – a global day of wish granting which falls on 29th April, 2014.
The works in the present collection are the works which were part of this exhibition.
The teddy bear is a symbol of childhood and joy, and it also makes for an endearing sculpture that brings on a smile, across all age groups.